Amalia Pica
Neuquén Capital ,Argentina ,1978
Aula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le Hors¡Que viva el papeleo! 2023
Installation view
Museo Jumex, Mexico City, Mexico
Photo: Ramiro Chaves¡Que viva el papeleo!. 2023
Installation view
Museo Jumex, Mexico City, Mexico
Photo: Ramiro Chaves¡Que viva el papeleo! 2023
Installation view
Museo Jumex, Mexico City, Mexico
Photo: Ramiro Chaves¡Que viva el papeleo! 2023
Installation view
Museo Jumex, Mexico City, Mexico
Photo: Ramiro Chaves¡Que viva el papeleo! 2023
Installation view
Museo Jumex, Mexico City, Mexico
Photo: Ramiro ChavesRock Comb 2022
Installation view
Brighton CCA, USA
Photo: Rob HarrisRock Comb 2022
Installation view
Brighton CCA, USA
Photo: Rob HarrisRock Comb 2022
Installation view
Brighton CCA, USA
Photo: Rob HarrisRock Comb 2022
Installation view
Brighton CCA, USA
Photo: Rob HarrisRock Comb 2022
Installation view
Brighton CCA, USA
Photo: Rob HarrisQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi Catachresis #1 (Head of the Mop, Arm of the Chandelier, Head of the Hammer) 2022
Found materials
20.5 x 35.4 x 3.9 in
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi Catachresis #5 (Legs of the Table, Teeth of the Saw, Back of the Chair, Tongue of the Shoe) 2022
Found materials
37 x 113 x 15.8 in
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi Catachresis #6 (Tongue of the Shoe, Leg of the Chair, Teeth of the Rake, Head of the Screw, Teeth of the Comb) 2022
Found materials
Variable dimensions
Courtesy of Fondazione Memmo
Photo by: Daniele Molajoli
Quasi Catachresis #8 (Arm of the Chandelier, Leg of the Table, Elbow of the Pipe) 2022
Found materials
35.4 x 23.6 x 3.5 in
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi Catachresis #11 (Legs of the Table, Back of the Chair, Teeth of the Saw, Leg of the Chair) 2022
Found materials
52 x 68.5 x 23.6 in
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi Catachresis #17 (Legs of the Chair, Tongue of the Shoes) 2022 Found materials Variable dimensions
Courtesy of Fondazione Memmo
Photo by: Daniele Molajoli
Quasi Catachresis #18 (Head of the Femur, Legs of the Table, Teeth of the Rake, Elbow of the Pipe) 2022
Found materials
29.5 x 19.7 x 20.5 in
Courtesy of Fondazione Memmo
Photo by: Daniele Molajoli
Catachresis on paper #3 2022 Collage
13.8 x 11 x 1.1 in (Framed)
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliCatachresis on paper #2 2022 Collage
13.8 x 11 x 1.1 in (Framed)
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityStudy for Rearranging the Subtropical Conference Table #1 2021
Melamine laminate, plywood, four parts
62.9 x 62.9 inStudy for Rearranging the Subtropical Conference Table #2 2021
Melamine laminate, plywood, three parts
31.4 x 23.6 inStudy for Rearranging the Subtropical Conference Table #3 2021
Melamine laminate, plywood, three parts
45.2 x 48.8 inStudy for Rearranging the Subtropical Conference Table #4 2021
Melamine laminate, plywood, four parts
41.3 x 55.1 inSubtropical Conference Table #5 2021
Melamine laminate, plywood, iron and wheels
62.9 x 31.4 x 28.5 inSubtropical Conference Table #3 2021
Melamine laminate, plywood, iron and wheels
62.8 x 27.1 x 28.6 inSubtropical Conference Table #3 2021
Melamine laminate, plywood, iron and wheels
62.8 x 27.1 x 28.6 inSubtropical Conference Table #5 2021
Melamine laminate, plywood, iron and wheels
62.9 x 31.4 x 28.5 inSubtropical Conference Table #1 2021
Melamine laminate, plywood, iron and wheels
31.4 x 62.9 x 28.7 inSubtropical Conference Table #2 2021
Melamine laminate, plywood, iron and wheels
62.8 x 27.1 x 28.6 inSubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala City Pisapapeles #2 (Paperweight #2) 2021
Cast bronze
12.2 x 2.8 x 2.2 inPisapapeles #3 (Paperweight #3) 2021
Cast bronze
3.1 x 4.3 x 4.9 in Pisapapeles #1 (Paperweight #1) 2021
Cast bronze and lime
2.8 x 3.9 x 1.8 inPisapapeles #5 (Paperweight #5)
2021
Cast bronze and cucumber
6.7 x 3.5 x 3.9 inPisapapeles #4 (Paperweight #4) 2021
Cast bronze
8.7 x 1.2 x 7.5 inPisapapeles #1 (Paperweight #1) 2021
Cast bronze and olivePaperweights 2021
Exhibition viewStackers 2021
Wood, valchromat, and found objectsStackers 2021
Wood, valchromat, and found objectsRound Table (And Other Forms) 2021
Exhibition view
König Galerie, Nave of St. Agnes, Berlin
Round Table (And Other Forms) 2021
Exhibition view, König Galerie, Nave of St. Agnes, Berlin Round Table (And Other Forms) 2021
Exhibition view
König Galerie, Nave of St. Agnes, Berlin Round Table (And Other Forms) 2021
Exhibition view
König Galerie, Nave of St. Agnes, Berlin Round Table (And Other Forms) 2021
Exhibition view
Museum Haus Konstruktiv, Zurich
Photo by: Stefan AltenburgerRound Table (And Other Forms) 2021
Exhibition view
Museum Haus Konstruktiv, Zurich
Photo by: Stefan Altenburger
Round Table (And Other Forms) 2021
Exhibition view
Museum Haus Konstruktiv, Zurich
Photo by: Stefan Altenburger
Round Table (And Other Forms) 2021
Exhibition view
Museum Haus Konstruktiv, Zurich
Photo by: Stefan Altenburger
Joy in Paperwork 2016
Stamp ink on A4 paper
8.3 x 11.7 inA Single Work
2020
Exhibition view
Herald St, London
A Single Work 2020
Exhibition view
Herald St, LondonRehearsing The Conference Table
2018
Co-authored with Rafael Ortega
Single channel HD video
9:17
A Single Work 2020
Exhibition view
Herald St, LondonStudy for Rearranging the Conference Table 24
2021
Wood and formica laminate
207.9 x 63 x 2 in Semaphores
2019
Interactive sculptures using the semaphore code system steel, paint, electric componentsSemaphores 2019
Interactive sculptures using the semaphore code system steel, paint, electric componentsSemaphores 2019
Interactive sculptures using the semaphore code system steel, paint, electric componentsAnBnC (Line)
2013
Exhibition view
Centro Andaluz de Arte Contemporáneo, Sevilla
Amalia Pica 2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, SevillaAmalia Pica 2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, SevillaAmalia Pica 2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, SevillaAmalia Pica 2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, SevillaAmalia Pica 2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, SevillaEavesdropping
2011
Drinking glasses, glue
Dimensions variable
(Un)Heard (Room)
2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, SevillaPrivate & Confidential
2019
Exhibition view
The New Art Gallery, Walsall
Photo by: David RowanPrivate & Confidential’ and ‘Meeting Room Table Configurations
2019-20
Exhibition view
Photo by: David RowanPrivate & Confidential’ and ‘Meeting Room Table Configurations
2019-20
Exhibition view
Photo by: David RowanPrivate & Confidential’ and ‘Meeting Room Table Configurations
2019-20
Exhibition view
Photo by: David RowanInsider’ and ‘Element (Envelope Security Patterns) #1, #2, #3, #4
2019
Exhibition view
Photo by: David RowanInsider’ and ‘Element (Envelope Security Patterns) #1, #2
2019
Exhibition view
Photo by: David RowanInsider’ and ‘Element (Envelope Security Patterns) #3, #4
2019
Exhibition view
Photo by: David RowanJoin in Paperwork, The Archive
2016
Exhibition view
Stamp ink on A4 paper
Photo by: David RowanWhile Inside
2019
Exhibition view
Herald St, London
While Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonCatalogue of Great Ape Gestures (In Alphabetical Order) 2018
Co-authored with Rafael Ortega, performed by Michael Smith
Single channel HD video
13:23
Ears to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidSilverware
2017
(Tools made by chimpanzees out of forest
wood to extract food such as honey or insects)
Cast in silver
Dimensions variableMusic for 429 Megaponeras
2017
Co-authored with Rafael Ortega
Single channel HD video
4:28
A un brazo de distancia (A Hug From a Distance)
2017
Exhibition view
NC Arte, Bogotá
A un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, BogotáA un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, BogotáA un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, BogotáA un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, BogotáA un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, BogotáA un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, BogotáJoy in Paperwork
2016
Stamp ink on A4 paper
8.3 x 11.7 inJoy in Paperwork 2016
Stamp ink on A4 paper
8.3 x 11.7 inPan troglodytes Ellioti and Cousins
2016
Co-authored with Rafael Ortega
Single HD video loop
00:01:01
Video camera with infrared trigger and monitorKatachrese 2016
Exhibition view
Kunstverein Freiburg, Freiburg
Katachrese 2016
Exhibition view
Kunstverein Freiburg, FreiburgKatachrese 2016
Exhibition view
Kunstverein Freiburg, FreiburgKatachrese 2016
Exhibition view
Kunstverein Freiburg, FreiburgKatachrese 2016
Exhibition view
Kunstverein Freiburg, FreiburgKatachrese 2016
Exhibition view
Kunstverein Freiburg, FreiburgA∩B∩C∩A∩B∩C 2016
Exhibition view
König Galerie, Berlin
A∩B∩C∩A∩B∩C 2016
Exhibition view
König Galerie, Berlin
A∩B∩C∩A∩B∩C 2016
Exhibition view
König Galerie, Berlin
A∩B∩C∩A∩B∩C 2016
Exhibition view
König Galerie, Berlin
A∩B∩C∩A∩B∩C 2016
Exhibition view
König Galerie, Berlin
Asamble
2015
Performers, chairs, meeting place. Performed in Congress Square,
Buenos Aires, (This performance has been repeated in other locations)Asamble 2015
Performers, chairs, meeting place. Performed in Congress Square,
Buenos Aires, (This performance has been repeated in other locations)Asamble 2015
Performers, chairs, meeting place. Performed in Congress Square,
Buenos Aires, (This performance has been repeated in other locations)Low Visibility 2013
Exhibition view
König Galerie, Berlin
Low Visibility 2013
Exhibition view
König Galerie, BerlinLow Visibility 2013
Exhibition view
König Galerie, BerlinCatachresis # 40 (Teeth of the Rake, Leg of the Chair, Leg Of
The Table, Head of the Screw) 2013
Found materials
58 x 23 x 23 inThe Wireless Way in Low Visibility
2013
(Recreation of the first system for non cable transmission, as seen on TV)
Balloon, helium, string, copper wire, wood spool, caption on paper, glassConstructed View #2 (Large)
2013
Photocopies, wall paper paste
185.8 x 132.3 inCatachresis # 42 (Sofa Leg, Chair Leg, Saw Teeth, Screw Head)
2013
Found materials
18.5 x 16.7 x 6.2 inA ∩ B ∩ C
2013
Performance and Perspex formsA ∩ B ∩ C 2013
Performance and Perspex formsStrangers
2008
String of bunting and two strangers who have not met beforeEndymion’s Journey
2011
Marc Foxx Gallery, Los Angeles
Eavesdropping
2011
Drinking glasses, glue
Dimensions variableSome of that Colour #4
2011
Paper flags, drained paper flag dye on watercolor paper, chair
Dimensions variableCatachresis #8 (Head of the Nail, Teeth of the Comb, Eye of the Needle, Head of the Screw) 2011
Found materials
21 x 77 x 2.25 in
Endymion’s Journey
2011
Digital print on canvas
172 x 77 x 2.25 in
<
1 /
165
>
Aula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le Hors
Aula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le HorsAula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le Hors
Aula expandida 2024
Exhibition view
Tanya Bonakdar Gallery, New York, USA
Photo: Pierre Le Hors¡Que viva el papeleo! 2023
Installation view
Museo Jumex, Mexico City, Mexico
Photo: Ramiro Chaves¡Que viva el papeleo!. 2023
Installation view
Museo Jumex, Mexico City, Mexico
Photo: Ramiro Chaves¡Que viva el papeleo! 2023
Installation view
Museo Jumex, Mexico City, Mexico
Photo: Ramiro Chaves
¡Que viva el papeleo! 2023
Installation view
Museo Jumex, Mexico City, Mexico
Photo: Ramiro Chaves¡Que viva el papeleo! 2023
Installation view
Museo Jumex, Mexico City, Mexico
Photo: Ramiro ChavesRock Comb 2022
Installation view
Brighton CCA, USA
Photo: Rob HarrisRock Comb 2022
Installation view
Brighton CCA, USA
Photo: Rob Harris
Rock Comb 2022
Installation view
Brighton CCA, USA
Photo: Rob HarrisRock Comb 2022
Installation view
Brighton CCA, USA
Photo: Rob HarrisRock Comb 2022
Installation view
Brighton CCA, USA
Photo: Rob HarrisQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele Molajoli
Quasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele Molajoli
Quasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi 2022
Installation view
Fondazione Memmo,
Rome, Italy
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi Catachresis #1 (Head of the Mop, Arm of the Chandelier, Head of the Hammer) 2022
Found materials
20.5 x 35.4 x 3.9 in
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi Catachresis #5 (Legs of the Table, Teeth of the Saw, Back of the Chair, Tongue of the Shoe) 2022
Found materials
37 x 113 x 15.8 in
Courtesy of Fondazione Memmo
Photo by: Daniele Molajoli
Quasi Catachresis #6 (Tongue of the Shoe, Leg of the Chair, Teeth of the Rake, Head of the Screw, Teeth of the Comb) 2022
Found materials
Variable dimensions
Courtesy of Fondazione Memmo
Photo by: Daniele Molajoli
Quasi Catachresis #8 (Arm of the Chandelier, Leg of the Table, Elbow of the Pipe) 2022
Found materials
35.4 x 23.6 x 3.5 in
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi Catachresis #11 (Legs of the Table, Back of the Chair, Teeth of the Saw, Leg of the Chair) 2022
Found materials
52 x 68.5 x 23.6 in
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliQuasi Catachresis #17 (Legs of the Chair, Tongue of the Shoes) 2022 Found materials Variable dimensions
Courtesy of Fondazione Memmo
Photo by: Daniele Molajoli
Quasi Catachresis #18 (Head of the Femur, Legs of the Table, Teeth of the Rake, Elbow of the Pipe) 2022
Found materials
29.5 x 19.7 x 20.5 in
Courtesy of Fondazione Memmo
Photo by: Daniele Molajoli
Catachresis on paper #3 2022 Collage
13.8 x 11 x 1.1 in (Framed)
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliCatachresis on paper #2 2022 Collage
13.8 x 11 x 1.1 in (Framed)
Courtesy of Fondazione Memmo
Photo by: Daniele MolajoliPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala City
Pisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala City
Pisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala City
Study for Rearranging the Subtropical Conference Table #1 2021
Melamine laminate, plywood, four parts
62.9 x 62.9 inStudy for Rearranging the Subtropical Conference Table #2 2021
Melamine laminate, plywood, three parts
31.4 x 23.6 inStudy for Rearranging the Subtropical Conference Table #3 2021
Melamine laminate, plywood, three parts
45.2 x 48.8 inStudy for Rearranging the Subtropical Conference Table #4 2021
Melamine laminate, plywood, four parts
41.3 x 55.1 in
Subtropical Conference Table #5 2021
Melamine laminate, plywood, iron and wheels
62.9 x 31.4 x 28.5 inSubtropical Conference Table #3 2021
Melamine laminate, plywood, iron and wheels
62.8 x 27.1 x 28.6 inSubtropical Conference Table #3 2021
Melamine laminate, plywood, iron and wheels
62.8 x 27.1 x 28.6 inSubtropical Conference Table #5 2021
Melamine laminate, plywood, iron and wheels
62.9 x 31.4 x 28.5 in
Subtropical Conference Table #1 2021
Melamine laminate, plywood, iron and wheels
31.4 x 62.9 x 28.7 inSubtropical Conference Table #2 2021
Melamine laminate, plywood, iron and wheels
62.8 x 27.1 x 28.6 inSubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala City
Subtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CityPisapapeles 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala City
Subtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala CitySubtropical Conference Table 2021
Exhibition view
Proyectos Ultravioleta, Guatemala City Pisapapeles #2 (Paperweight #2) 2021
Cast bronze
12.2 x 2.8 x 2.2 in
Pisapapeles #3 (Paperweight #3) 2021
Cast bronze
3.1 x 4.3 x 4.9 in Pisapapeles #1 (Paperweight #1) 2021
Cast bronze and lime
2.8 x 3.9 x 1.8 inPisapapeles #5 (Paperweight #5)
2021
Cast bronze and cucumber
6.7 x 3.5 x 3.9 inPisapapeles #4 (Paperweight #4) 2021
Cast bronze
8.7 x 1.2 x 7.5 in
Pisapapeles #1 (Paperweight #1) 2021
Cast bronze and olivePaperweights 2021
Exhibition viewStackers 2021
Wood, valchromat, and found objectsStackers 2021
Wood, valchromat, and found objects
Round Table (And Other Forms) 2021
Exhibition view
König Galerie, Nave of St. Agnes, Berlin
Round Table (And Other Forms) 2021
Exhibition view, König Galerie, Nave of St. Agnes, Berlin Round Table (And Other Forms) 2021
Exhibition view
König Galerie, Nave of St. Agnes, Berlin Round Table (And Other Forms) 2021
Exhibition view
König Galerie, Nave of St. Agnes, Berlin
Round Table (And Other Forms) 2021
Exhibition view
Museum Haus Konstruktiv, Zurich
Photo by: Stefan AltenburgerRound Table (And Other Forms) 2021
Exhibition view
Museum Haus Konstruktiv, Zurich
Photo by: Stefan Altenburger
Round Table (And Other Forms) 2021
Exhibition view
Museum Haus Konstruktiv, Zurich
Photo by: Stefan Altenburger
Round Table (And Other Forms) 2021
Exhibition view
Museum Haus Konstruktiv, Zurich
Photo by: Stefan Altenburger
Joy in Paperwork 2016
Stamp ink on A4 paper
8.3 x 11.7 inA Single Work
2020
Exhibition view
Herald St, London
A Single Work 2020
Exhibition view
Herald St, LondonRehearsing The Conference Table
2018
Co-authored with Rafael Ortega
Single channel HD video
9:17
A Single Work 2020
Exhibition view
Herald St, LondonStudy for Rearranging the Conference Table 24
2021
Wood and formica laminate
207.9 x 63 x 2 in Semaphores
2019
Interactive sculptures using the semaphore code system steel, paint, electric componentsSemaphores 2019
Interactive sculptures using the semaphore code system steel, paint, electric components
Semaphores 2019
Interactive sculptures using the semaphore code system steel, paint, electric componentsAnBnC (Line)
2013
Exhibition view
Centro Andaluz de Arte Contemporáneo, Sevilla
Amalia Pica 2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, Sevilla
Amalia Pica 2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, SevillaAmalia Pica 2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, SevillaAmalia Pica 2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, SevillaAmalia Pica 2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, Sevilla
Eavesdropping
2011
Drinking glasses, glue
Dimensions variable
(Un)Heard (Room)
2019
Exhibition view
Centro Andaluz de Arte Contemporáneo, SevillaPrivate & Confidential
2019
Exhibition view
The New Art Gallery, Walsall
Photo by: David RowanPrivate & Confidential’ and ‘Meeting Room Table Configurations
2019-20
Exhibition view
Photo by: David Rowan
Private & Confidential’ and ‘Meeting Room Table Configurations
2019-20
Exhibition view
Photo by: David RowanPrivate & Confidential’ and ‘Meeting Room Table Configurations
2019-20
Exhibition view
Photo by: David RowanInsider’ and ‘Element (Envelope Security Patterns) #1, #2, #3, #4
2019
Exhibition view
Photo by: David RowanInsider’ and ‘Element (Envelope Security Patterns) #1, #2
2019
Exhibition view
Photo by: David Rowan
Insider’ and ‘Element (Envelope Security Patterns) #3, #4
2019
Exhibition view
Photo by: David RowanJoin in Paperwork, The Archive
2016
Exhibition view
Stamp ink on A4 paper
Photo by: David RowanWhile Inside
2019
Exhibition view
Herald St, London
While Inside 2019
Exhibition view
Herald St, London
While Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, London
While Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonWhile Inside 2019
Exhibition view
Herald St, LondonCatalogue of Great Ape Gestures (In Alphabetical Order) 2018
Co-authored with Rafael Ortega, performed by Michael Smith
Single channel HD video
13:23
Ears to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni Hafkenscheid
Ears to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni HafkenscheidEars to Speak Of 2017
The Power Plant, Toronto
Photo: Toni Hafkenscheid
Silverware
2017
(Tools made by chimpanzees out of forest
wood to extract food such as honey or insects)
Cast in silver
Dimensions variableMusic for 429 Megaponeras
2017
Co-authored with Rafael Ortega
Single channel HD video
4:28
A un brazo de distancia (A Hug From a Distance)
2017
Exhibition view
NC Arte, Bogotá
A un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, Bogotá
A un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, BogotáA un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, BogotáA un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, BogotáA un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, Bogotá
A un brazo de distancia (A Hug From a Distance) 2017
Exhibition view
NC Arte, BogotáJoy in Paperwork
2016
Stamp ink on A4 paper
8.3 x 11.7 inJoy in Paperwork 2016
Stamp ink on A4 paper
8.3 x 11.7 inPan troglodytes Ellioti and Cousins
2016
Co-authored with Rafael Ortega
Single HD video loop
00:01:01
Video camera with infrared trigger and monitor
Katachrese 2016
Exhibition view
Kunstverein Freiburg, Freiburg
Katachrese 2016
Exhibition view
Kunstverein Freiburg, FreiburgKatachrese 2016
Exhibition view
Kunstverein Freiburg, FreiburgKatachrese 2016
Exhibition view
Kunstverein Freiburg, Freiburg
Katachrese 2016
Exhibition view
Kunstverein Freiburg, FreiburgKatachrese 2016
Exhibition view
Kunstverein Freiburg, FreiburgA∩B∩C∩A∩B∩C 2016
Exhibition view
König Galerie, Berlin
A∩B∩C∩A∩B∩C 2016
Exhibition view
König Galerie, Berlin
A∩B∩C∩A∩B∩C 2016
Exhibition view
König Galerie, Berlin
A∩B∩C∩A∩B∩C 2016
Exhibition view
König Galerie, Berlin
A∩B∩C∩A∩B∩C 2016
Exhibition view
König Galerie, Berlin
Asamble
2015
Performers, chairs, meeting place. Performed in Congress Square,
Buenos Aires, (This performance has been repeated in other locations)
Asamble 2015
Performers, chairs, meeting place. Performed in Congress Square,
Buenos Aires, (This performance has been repeated in other locations)Asamble 2015
Performers, chairs, meeting place. Performed in Congress Square,
Buenos Aires, (This performance has been repeated in other locations)Low Visibility 2013
Exhibition view
König Galerie, Berlin
Low Visibility 2013
Exhibition view
König Galerie, Berlin
Low Visibility 2013
Exhibition view
König Galerie, BerlinCatachresis # 40 (Teeth of the Rake, Leg of the Chair, Leg Of
The Table, Head of the Screw) 2013
Found materials
58 x 23 x 23 inThe Wireless Way in Low Visibility
2013
(Recreation of the first system for non cable transmission, as seen on TV)
Balloon, helium, string, copper wire, wood spool, caption on paper, glassConstructed View #2 (Large)
2013
Photocopies, wall paper paste
185.8 x 132.3 in
Catachresis # 42 (Sofa Leg, Chair Leg, Saw Teeth, Screw Head)
2013
Found materials
18.5 x 16.7 x 6.2 inA ∩ B ∩ C
2013
Performance and Perspex formsA ∩ B ∩ C 2013
Performance and Perspex formsStrangers
2008
String of bunting and two strangers who have not met before
Endymion’s Journey
2011
Marc Foxx Gallery, Los Angeles
Eavesdropping
2011
Drinking glasses, glue
Dimensions variableSome of that Colour #4
2011
Paper flags, drained paper flag dye on watercolor paper, chair
Dimensions variableCatachresis #8 (Head of the Nail, Teeth of the Comb, Eye of the Needle, Head of the Screw) 2011
Found materials
21 x 77 x 2.25 in
Endymion’s Journey
2011
Digital print on canvas
172 x 77 x 2.25 in
Amalia Pica (1978) was born in Neuquén, Argentina. She moved to Buenos Aires to study at the Escuela Nacional de Bellas Artes P. Pueyrredón, completing her degree in 2001.
Central to Pica’s work is the problem of communication, which he explores by placing everyday objects alongside obsolete technologies such as shutter telegraphs, slide projectors, and 16mm film. However, although her interest is in language and the mechanisms by which communication is attempted, most of her projects are silent. She compensates for this apparent lack by adding texts that clarify the missing parts. The Venn Diagram (under the spotlight) (2011), for example, consists of two overlapping circles of colored light projected from theatrical spotlights. In the accompanying captions, the artist explains how the dictators of the 1970s banned Venn diagrams and the set theory they illustrate in Argentine schools, being considered potentially subversive at a time when citizens were being prosecuted for gathering in public.
However, while his work may seem reticent at first, depending as it does on the impossibility of a perfect relationship, it is never without humor. Aware that his ideas can never survive the process of realization fully intact, Pica revels in their inevitable mutation and creates new systems of discourse that brim with fractured syntax, encrypted semantics, and joyful semiotics.
Pica has had solo exhibitions at Tanya Bonakdar Gallery (2024); Museo Jumex, Mexico City, Mexico (2023); Brighton CCA, United Kingdom, (2022); Museum Haus Konstruktiv, Zurich (2020); Centro Andaluz de Arte Contemporáneo, Seville, Spain (2019); The New Art Gallery, Walsall, UK (2019); Perth Institute of Contemporary Art, Perth, Australia (2018); The Power Plant, Toronto (2017); NC Arte, Bogotá (2017); Kunstverein Freiburg (2016); NuMu, Guatemala City (2015); Van Abbemuseum, The Netherlands (2014); MIT List Visual Arts Center, Cambridge (2013); Museum of Contemporary Art Chicago (2013); Museo Tamayo Arte Contemporáneo, Mexico City (2013); Museo Nacional de Bellas Artes, Neuquén, Argentina (2013); Modern Art Oxford, Oxford (2012); Chisenhale Gallery, London (2012); Kunsthalle Sankt Gallen, Switzerland (2012); University of Michigan Museum of Art, Ann Arbor (2011); and Malmö Konsthall, Sweden (2010).
Follow Amalia Pica
Exhibitions by Amalia Pica at Proyectos Ultravioleta: