Felipe Mujica
Santiago ,Chile 1974
El Cóndor Pasa 2023
Installation view
Cotton fabric, cotton batting, threadwork, and hand embroidered cotton
11 curtains produced with quilting techniques, with the guidance of Danielle Tucker
OSMOS Station, Stamford NY
This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency GrantEl Cóndor Pasa 2023
Installation view
Cotton fabric, cotton batting, threadwork, and hand embroidered cotton
11 curtains produced with quilting techniques, with the guidance of Danielle Tucker
OSMOS Station, Stamford NY
This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency GrantEl Cóndor Pasa 2023
Installation view
Cotton fabric, cotton batting, threadwork, and hand embroidered cotton
11 curtains produced with quilting techniques, with the guidance of Danielle Tucker
OSMOS Station, Stamford NY
This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency GrantEl Cóndor Pasa 2023
Installation view
Cotton fabric, cotton batting, threadwork, and hand embroidered cotton
11 curtains produced with quilting techniques, with the guidance of Danielle Tucker
OSMOS Station, Stamford NY
This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency GrantEl Cóndor Pasa 2023
Installation view
Cotton fabric, cotton batting, threadwork, and hand embroidered cotton
11 curtains produced with quilting techniques, with the guidance of Danielle Tucker
OSMOS Station, Stamford NY
This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency GrantEl Cóndor Pasa (Curtain 2) 2023
Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork
66 x 43 inEl Cóndor Pasa (Curtain 3) 2023
Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork
64 x 41 inEl Cóndor Pasa (Curtain 9) 2023
Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork
65 x 42 inEl Cóndor Pasa (Curtain 10) 2023
Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork
65 x 42 inEl Cóndor Pasa (Curtain 11) 2023
Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork
65 x 42 in¿En qué estabas pensando, en el pasado o en el futuro?
(What Were You Thinking About, the Past or the Future?) 2022
Installation view,
MAVI UC, Museo de Artes Visuales, Santiago de Chile, Photo: Jorge Brantmayer¿En qué estabas pensando, en el pasado o en el futuro?
(What Were You Thinking About, the Past or the Future?) 2022
Installation view,
MAVI UC, Museo de Artes Visuales, Santiago de Chile, Photo: Jorge Brantmayer¿En qué estabas pensando, en el pasado o en el futuro?
(What Were You Thinking About, the Past or the Future?) 2022
Installation view,
MAVI UC, Museo de Artes Visuales, Santiago de Chile, Photo: Jorge BrantmayerSoltaré cien conejos y usted verá como le hace para
juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together) 2022
Installation view,
Sala de Arte Siqueiros, Cuernavaca, Photo: Felipe MujicaSoltaré cien conejos y usted verá como le hace para
juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together) 2022
Installation view,
Sala de Arte Siqueiros, Cuernavaca, Photo: Felipe MujicaSoltaré cien conejos y usted verá como le hace para
juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together) 2022
Installation view,
Sala de Arte Siqueiros, Cuernavaca, Photo: Felipe MujicaCortinas (Curtains) 2022
Installation view, Redaktion, Luzern, SwitzerlandCortinas (Curtains) 2022
Installation view, Redaktion, Luzern, SwitzerlandCortinas (Curtains) 2022
Installation view, Redaktion, Luzern, SwitzerlandFirst Sunrises on Earth (Solentiname) 2021
Installation view
Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis Corzo
First Sunrises on Earth (Solentiname) 2021
Installation view
Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis CorzoFirst Sunrises on Earth (Solentiname) 2021
Installation view
Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis CorzoFirst Sunrises on Earth (Solentiname) 2021
Installation view
Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis CorzoThe Swaying Motion on the Bank of the River Falls 2021
Exhibition view
Perez Art Museum Miami, Miami
Photo: Oriol TarridasThe Swaying Motion on the Bank of the River Falls 2021
Exhibition view
Perez Art Museum Miami, MiamiThe Swaying Motion on the Bank of the River Falls 2021
Exhibition view
Perez Art Museum Miami, MiamiThe Swaying Motion on the Bank of the River Falls 2021
Exhibition view
Perez Art Museum Miami, MiamiBig Storm 2021
Cotton fabric and thread
87 3/4 x 55 1/8 in
Photo by: Luis CorzoFire 2021
Cotton fabric and thread
88 3/16 x 56 in
Photo by: Luis CorzoLightning 2021
Cotton fabric and thread
89 x 56 in
Photo by: Luis CorzoPyramid 2021
Cotton fabric and thread
92 1/8 x 57 7/8 in
Photo by: Luis CorzoSteps 2021
Cotton fabric and thread
88 3/16 x 56 in
Photo by: Luis CorzoFirst Sunrises on Earth 2021
Exhibition view
Proyectos Ultravioleta
Guatemala CityFirst Sunrises on Earth 2021
Exhibition view
Proyectos Ultravioleta
Guatemala CityFirst sunrises on earth (Dominican Republic) – Curtain 3 2016
Hand dyed cotton fabric and acrylic paint
64 x 42 inFirst Sunrises on Earth (Zacatecas) – Curtain 1) 2019
Denim fabric, thread and “chaquiras” (beads)
58.66 x 37 inFirst sunrises on earth (Zacatecas) – Curtain 6 2019
Hand embroidery on cotton fabric
53.3 x 35.3 inSolentiname 2019
Exhibition view
Solentiname, Isla MancarrónSolentiname 2019
Exhibition view
Solentiname, Isla MancarrónSolentiname 2019
Exhibition view
Solentiname, Isla MancarrónFirst Sunrises on Earth (Solentiname) – Curtain 1 2019
Hand painted and hand-dyed
59 x 37 inFirst Sunrises on Earth (Solentiname) – Curtain 2 2019
Hand painted and hand-dyed cotton
59 x 37 inFirst Sunrises on Earth (Solentiname) – Curtain 4 2019
Hand painted and hand-dyed cotton
70.9 x 44.9 inFirst Sunrises on Earth (Solentiname) – Curtain 6 2019
Hand painted and hand-dyed cotton
70.9 x 44.9 inWhere Land and Sea Melt Into Sky 2019
Exhibition view
PROXYCO Gallery, New YorkWhere Land and Sea Melt Into Sky 2019
Exhibition view
PROXYCO Gallery, New YorkFirst Sunrises on Earth (Zacatecas) – Curtain 1 2019
Demin fabric, thread and “chaquiras” (beads)
58.6 x 37 inFirst Sunrises on Earth (Zacatecas) – Curtain 8 2019
Cotton fabric, thread and hand embroidered cotton
55.12 x 34.65 inFirst Sunrises on Earth (Zacatecas) – Curtain 9 2019
Cotton fabric, thread and hand embroidered cotton
70.1 x 44.9 inFirst Sunrises on Earth 2019
Exhibition view
Sindicato, Las Terrenas / Sánchez, República DominicanaFirst Sunrises on Earth 2019
Exhibition view
Sindicato, Las Terrenas / Sánchez, República DominicanaFirst Sunrises on Earth (Dominican Republic) – Curtain 1 2019
Hand dyed cotton fabric and acrylic paint
96 x 61 inFirst Sunrises on Earth (Dominican Republic) – Curtain 3 2019
Hand dyed cotton fabric and acrylic paint
64.9 x 42.1 in
First Sunrises on Earth (Dominican Republic) – Curtain 4 2019
Fabric, fabric tape and sewing thread
52 x 33 inAll Tomorrow´s Parties 2019
Exhibition view
Galerie Von Bartha, BaselAll Tomorrow´s Parties 2019
Exhibition view
Galerie Von Bartha, BaselAll Tomorrow´s Parties 2019
Exhibition view
Galerie Von Bartha, BaselAll Tomorrow´s Parties 2019
Exhibition view
Galerie Von Bartha, BaselAll Tomorrow´s Parties 2019
Exhibition view
Galerie Von Bartha, BaselEllos ya habían aprendido que todo lo que sueñan puede existir (They Had Already Learned That Everything They Dream of Can Exist) 2018
Exhibition view
XIII Bienal FEMSA, ZacatecasEllos ya habían aprendido que todo lo que sueñan puede existir (They Had Already Learned That Everything They Dream of Can Exist) 2018
Exhibition view
XIII Bienal FEMSA, ZacatecasEllos ya habían aprendido que todo lo que sueñan puede existir (They Had Already Learned That Everything They Dream of Can Exist) 2018
Exhibition view
XIII Bienal FEMSA, ZacatecasThey Had Already Learned That Everything They Dream of Can Exist – Curtain 1 2018
Denim fabric (cotton and polyester mix), sewing thread and “beads”
90 x 62 inThey Had Already Learned That Everything They Dream of Can Exist – Curtain 2 2018
100% natural wool fabric, sewing thread and hand embroidered cotton thread
87 x 61 inWe Are More United to the Invisible Than to the Visible 2018
Exhibition view
Museo de Arte Moderno de Medellín, Colombia
We Are More United to the Invisible Than to the Visible 2018
Exhibition view
Museo de Arte Moderno de Medellín, Colombia
We Are More United to the Invisible Than to the Visible 2018
Exhibition view
Museo de Arte Moderno de Medellín, Colombia
We Are More United to the Invisible Than to the Visible 2018
Exhibition view
Museo de Arte Moderno de Medellín, Colombia
Las universidades desconocidas – Design 22 B (The Unknown Universities – Design 22 B) 2016
Cotton fabric, thread and embroidered yarn 116.1 x 62.9 inLas universidades desconocidas – Design 39 (The Unknown Universities – Design 39) 2016
Cotton fabric and thread
116.1 x 62.9 inUna noche de verdad dentro de una noche de verano (A Real Night Inside a Summer Night) 2018
Exhibition view
Bis Oficina de Proyectos, CalíUna noche de verdad dentro de una noche de verano (A Real Night Inside a Summer Night) 2018
Exhibition view
Bis Oficina de Proyectos, CalíJapanese Optical and Geometrical Art (p. 136) 2017 Silkscreen on inked paper
40.5 x 25.9 inA Real Night Within a Summer Night – Curtain # 7 2018
Cotton fabric, embroidery
68.8 x 45 inThe Yellow Road – Curtain 2 2018
Fabric, sewing and embroidery
47 x 31 inDedicated to the Bird We Love 2017
Exhibition view
Galerie von Bartha, S-chanfDedicated to the Bird We Love 2017
Exhibition view
Galerie von Bartha, BaselDedicated to the Bird We Love 2017
Exhibition view
Galerie von Bartha, BaselDedicated to the Bird We Love 2017
Exhibition view
Galerie von Bartha, BaselSombras Imaginarias 13 (Imaginary Shadows 13) 2017 Embroidered cotton
98 x 53 inSombras Imaginarias 17 (Imaginary Shadows 17) 2017 Embroidered cotton
100 x 52 inSombras imaginarias caminan por el camino imaginario (Imaginary Shadows Walk the Imaginary Path) 2017
Exhibition view
Casa Tríangulo,
Sao Paulo, Brazil
Photo: Edouard Fraipont
Sombras imaginarias caminan por el camino imaginario (Imaginary Shadows Walk the Imaginary Path) 2017
Exhibition view
Casa Tríangulo,
Sao Paulo, Brazil
Photo: Edouard Fraipont
Sombras imaginarias caminan por el camino imaginario (Imaginary Shadows Walk the Imaginary Path) 2017
Exhibition view
Casa Tríangulo,
Sao Paulo, Brazil
Photo: Edouard Fraipont
Sombras Imaginarias – Cortina 7 (Imaginary Shadows – Curtain 7) 2017
Embroidered cotton
100 x 53 in
Sombras Imaginarias – Cortina 9 (Imaginary Shadows – Curtain 9) 2017
Embroidered cotton
100 x 52.8 inHow to Speak Psychedelic 2017
Serigraphy on paper
39.9 x 25.9 inJapanese Optical and Geometrical Art (p. 110) 2017 Serigraphy on paper
39.9 x 25.9 inJapanese Optical and Geometrical Art (p. 136) 2017
Silkscreen on paper
39.9 x 25.9 inJapanese Optical and Geometrical Art (p. 23) 2017 Serigraphy on paper
39.9 x 25.9 inSo We Faced With The Problems of Conversation (Google Translate) 2017
Exhibition view
Koulturøya, StavangerSo We Faced With The Problems of Conversation (Google Translate) 2017
Exhibition view
Koulturøya, StavangerSo We Faced With The Problems of Conversation (Google Translate) – Curtain 1 2017 Fabric and thread
51 x 29 inSo We Faced With The Problems of Conversation (Google Translate) – Curtain 2 2017 Fabric and thread
51 x 29 inSo We Faced With The Problems of Conversation (Google Translate) – Curtain 4 2017 Fabric and thread 51 x 29 inZigzag Incisions 2017
Exhibition view
CuCRAC Alsace, AltkirchZigzag Incisions 2017
Exhibition view
CuCRAC Alsace, AltkirchThere Are Houses and Streets That Run Down to the Sea (Navy Blue) 2016 Fabric and thread
96 x 55.9 inThere Are Houses and Streets That Run Down to the Sea (Oxide Orange) 2016 Fabric and thread
96 x 55.9 inEmbodied Absence 2016
Exhibition view
Curated by Liz Munsell, Harvard University, Cambridge Embodied Absence 2016
Exhibition view
Curated by Liz Munsell, Harvard University, Cambridge Curtain #1 (RED) 2016
5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 inCurtain #2 (YELLOW) 2016
5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 inCurtain #3 (BLUE) 2016
5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread
110 x 59 inCurtain #4 (BEIGE) 2016
5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread
110 x 59 inLas universidades desconocidas (The Unknown Universities) 2016
Exhibition view
Incerteza Viva, 32ª Bienal São Paulo,São PauloLas universidades desconocidas (The Unknown Universities) 2016
Exhibition view
Incerteza Viva, 32ª Bienal São Paulo,São PauloLas universidades desconocidas – Diseño 19 B modificado (The Unknown Universities – 19 B Modified Design) 2016
Cotton fabric, thread and embroidered yarn
116.1 x 62.9 inLas universidades desconocidas – Diseño 40 (The Unknown Universities – Design 40) 2016
Cotton fabric, thread and embroidered yarn
116.1 x 62.9 inLa Liberté Sans Nom (Freedom Without a Name) 2016
Exhibition view
Curated by Elfi Turpin, CRAC Alsace, AltkirchLa Liberté Sans Nom (Freedom Without a Name) 2016
Exhibition view
Curated by Elfi Turpin, CRAC Alsace, AltkirchHuecos #1 (Holes #1) 2016
Fabric and thread
52 x 27 inHuecos #2 (Holes #2) 2016
Fabric and thread
52 x 27 inThe End of the East Coincides With the End of the South 2015
Exhibition view
Proyectos Ultravioleta
Guatemala CityThe End of the East Coincides With the End of the South 2015
Exhibition view
Proyectos Ultravioleta
Guatemala CityUntitled for Cuenca – Curtain 1 2014
Fabric and thread
110 x 58 inUntitled for Cuenca – Curtain 3 2014
Fabric and thread
110 x 58 inIndigo 2015
Exhibition view
Concepción 41, Antigua GuatemalaIndigo 2015
Exhibition view
Concepción 41, Antigua GuatemalaIndigo #0 2015
Cotton fabric, sewing and hand embroidered cotton
51 x 29 inIndigo #3 2015
Indigo dyed cotton fabric, stitching and hand embroidered cotton
51 x 29 inArriba como ramas que un mismo viento mueve (Up Like Branches That the Same Wind Moves) 2014
Exhibition view
Museo Experimental
El Eco, México CityArriba como ramas que un mismo viento mueve (Up Like Branches That the Same Wind Moves) 2014
Exhibition view
Museo Experimental
El Eco, México CityArriba como ramas que un mismo viento mueve – Cortina 1 (Up Like Branches That the Same Wind Moves – Curtain 1) 2014
Fabric and thread
112 x 59 inArriba como ramas que un mismo viento mueve – Cortina 4 y 5 (Up Like Branches That the Same Wind Moves – Curtain 4 and 5) 2014
Fabric and thread
112 x 59 in (each)Untiled for Cuenca 2014
Exhibition view
12th Bienal of Cuenca, CuencaUntiled for Cuenca 2014
Exhibition view
12th Bienal of Cuenca, CuencaUntitled for Cuenca – Curtain 4 2014
Fabric and thread
110 x 58 inUntitled for Cuenca – Curtain 2 2014
Fabric and thread
110 x 58 inUntitled (El Quisco) 2013
Exhibition view
Fondazione Merz, TurinUntitled (El Quisco) 2014
Fabric and thread
4 panels of 47.2 x 78.7 in (each)Arquitectura y amistad (Architecture and Friendship) 2013
Exhibition view
Proyectos Ultravioleta, Guatemala CityArquitectura y amistad (Architecture and Friendship) 2013
Exhibition view
Proyectos Ultravioleta, Guatemala CityUntitled 2013
Cotton fabric, canvas fabric and thread
106 x 60.6 inUntitled (Curtain 2) 2013
Thread and fabric
106 x 65.3 inOjos de perro azul (Blue Dog Eyes) 2012
Exhibition view
Galeria Nuno Centeno, PortoOjos de perro azul (Blue Dog Eyes) 2012
Exhibition view
Galeria Nuno Centeno, PortoBlue Dog Eyes – Curtain 1 2012
Cotton fabric and thread
94 x 59 inBlue Dog Eyes – Curtain 2 2012
Cotton fabric and thread
94 x 56 inExtrapolasis 1 and 2 2012
Silkscreen on paper
40 x 25 inUn puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge) 2012
Exhibition view
Galeria Luisa Strina, São PauloUn puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge) 2012
Exhibition view
Galeria Luisa Strina, São PauloUn puente es un hombre cruzando un puente – Cortina 1 (A Bridge Is a Man Crossing a Bridge – Curtain 1) 2012
Fabric and thread
105.5 x 58.2 inUn puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge) 2012
Exhibition view
Galeria Luisa Strina, São PauloUn puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge) 2012
Exhibition view
Christinger de Mayo, ZürichUn puente es un hombre cruzando un puente – Cortina 1 (A Bridge Is a Man Crossing a Bridge – Curtain 1) 2012
Fabric and thread
105.5 x 58.2 inUn puente es un hombre cruzando un puente – Cortina 3 (A Bridge Is a Man Crossing a Bridge – Curtain 3) 2012
Fabric and thread
105.5 x 58.2 inCibernetica e Sociedade 2012 Dark Brown Over Red Stripes 2012
Silkscreen print on paper
unique copy
27.2 x 19.5 inWhatcha See is Whatcha Get 2012
Exhibition view
443 PAS @ Kevin M. Absec Designs, New YorkUntitled 2012
Cotton fabric and thread
24 x 36 inUntitled 2012
Cotton fabic and thread
48 x 24 inNo State II 2012
Exhibition view
ARCO, MadridNo State II- Curtain 1 2012
Cotton fabric and thread
110.3 x 59 inNo State II- Curtain 2 2012
Cotton fabric and thread
110.3 x 59 inY un día todo esto será tuyo (And One Day This Will All Be Yours) 2011
Exhibition view
Galería YONO, SantiagoY un día todo esto será tuyo (And One Day This Will All Be Yours) 2011
Exhibition view
Galería YONO, SantiagoLinea de hormigas – Chile (Line of Ants – Chile) 2011 Sculpture actionsUntitled 2010
Fabric and thread
96.4 x 59 inThere’s Light In Every Window 2010
Exhibition view
House of Propellers, LondonDouble Book Design 1 Brown on White 2010
Silkscreen on paper
34.6 x 22.8 inPsychedelic Book Design #3 2010
Silkscreen print on paper
39.8 x 26 in
Kidnapping a Sculpture 2010
Exhibition view
Message Salon, ZürichKidnapping a Sculpture 2010
Exhibition view
Message Salon, ZürichKidnapping a Sculpture 2010
Custom-made wallpaper, 4 colors
Dimensions variableKidnapping a Sculpture 2010
Custom-made wallpaper, 4 colors
Dimensions variableThere’s Light In Every Window 2010
Exhibition view
Die Ecke Arte Contemporáneo, SantiagoThere’s Light In Every Window 2010
Exhibition view
Die Ecke Arte Contemporáneo, SantiagoTriptico óptico psicodelico (Psychedelic Optical Triptych) 2010 Silkscreen on paper
34.6 x 22.8 in (each)Double Book Design 1 2010
Silkscreen on paper
39.7 x 25.9 inSunset From the Empire State Building Observatory 2008
Exhibition view
Sezession Wichtelgasse, ViennaModel 2 2008
Cotton fabric and thread
94 x 59 inEveryting that Begins as Comedy Inevitably Ends as Mystery 2008
Exhibition view
Message Salon Perla Mode, ZürichEveryting that Begins as Comedy Inevitably Ends as Mystery 2008
Exhibition view
Message Salon Perla Mode, ZürichNo State 2008 Fabric and thread (4 panels)
Dimensions variableNo State 2008 Fabric and thread (4 panels)
Dimensions variableNo State – Curtain 1 2007
Fabric and thread
118 x 66 inGroup of Drawings 2007
Graphite and acrylic on paper
25 x 19 in (each)Trapped by Mutual Affection 2005
Exhibition view
Galerie Christian Nagel, KölnTrapped by Mutual Affection 2005
Exhibition view
Galerie Christian Nagel, KölnTrapped by Mutual Affection 2005
Three wooden panels painted with water-based paint Dimensions variableMonochromatic Heart 1999
Exhibition view
Museo de Arte Contemporáneo de Valdivia, ValdiviaMonochromatic Heart 1999
Exhibition view
Museo de Arte Contemporáneo de Valdivia, ValdiviaMonochromatic Heart 1999
Wood, acrylic and hardware
Dimensions variableLonely Heart, Heart Lonely 1998
Exhibition view
Galeria Chilena en Galería Posada del Corregidor, SantiagoLonely Heart, Heart Lonely 1998 Wood, acrylic and hinges Dimensions variableWhen a Dog Meets Another Dog 1997
Galerie Christian Nagel, KölnWhen a Dog Meets Another Dog 1997
Galerie Christian Nagel, KölnWhen a Dog Meets Another Dog 1997
Installation with trovicel modules
Dimensions variableCircuits 1997
Exhibition view
Galeria Gabriela Mistral, SantiagoCircuits 1997
Exhibition view
Galeria Gabriela Mistral, SantiagoCircuits 1997
Exhibition view
Galeria Gabriela Mistral, Santiago
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El Cóndor Pasa 2023
Installation view
Cotton fabric, cotton batting, threadwork, and hand embroidered cotton
11 curtains produced with quilting techniques, with the guidance of Danielle Tucker
OSMOS Station, Stamford NY
This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency GrantEl Cóndor Pasa 2023
Installation view
Cotton fabric, cotton batting, threadwork, and hand embroidered cotton
11 curtains produced with quilting techniques, with the guidance of Danielle Tucker
OSMOS Station, Stamford NY
This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency GrantEl Cóndor Pasa 2023
Installation view
Cotton fabric, cotton batting, threadwork, and hand embroidered cotton
11 curtains produced with quilting techniques, with the guidance of Danielle Tucker
OSMOS Station, Stamford NY
This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency GrantEl Cóndor Pasa 2023
Installation view
Cotton fabric, cotton batting, threadwork, and hand embroidered cotton
11 curtains produced with quilting techniques, with the guidance of Danielle Tucker
OSMOS Station, Stamford NY
This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency Grant
El Cóndor Pasa 2023
Installation view
Cotton fabric, cotton batting, threadwork, and hand embroidered cotton
11 curtains produced with quilting techniques, with the guidance of Danielle Tucker
OSMOS Station, Stamford NY
This exhibition was supported, in part, by a Foundation for Contemporary Arts Emergency GrantEl Cóndor Pasa (Curtain 2) 2023
Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork
66 x 43 inEl Cóndor Pasa (Curtain 3) 2023
Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork
64 x 41 inEl Cóndor Pasa (Curtain 9) 2023
Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork
65 x 42 in
El Cóndor Pasa (Curtain 10) 2023
Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork
65 x 42 inEl Cóndor Pasa (Curtain 11) 2023
Cotton fabric, cotton quilt batting, embroidery cotton thread, and threadwork
65 x 42 in¿En qué estabas pensando, en el pasado o en el futuro?
(What Were You Thinking About, the Past or the Future?) 2022
Installation view,
MAVI UC, Museo de Artes Visuales, Santiago de Chile, Photo: Jorge Brantmayer¿En qué estabas pensando, en el pasado o en el futuro?
(What Were You Thinking About, the Past or the Future?) 2022
Installation view,
MAVI UC, Museo de Artes Visuales, Santiago de Chile, Photo: Jorge Brantmayer
¿En qué estabas pensando, en el pasado o en el futuro?
(What Were You Thinking About, the Past or the Future?) 2022
Installation view,
MAVI UC, Museo de Artes Visuales, Santiago de Chile, Photo: Jorge BrantmayerSoltaré cien conejos y usted verá como le hace para
juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together) 2022
Installation view,
Sala de Arte Siqueiros, Cuernavaca, Photo: Felipe MujicaSoltaré cien conejos y usted verá como le hace para
juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together) 2022
Installation view,
Sala de Arte Siqueiros, Cuernavaca, Photo: Felipe MujicaSoltaré cien conejos y usted verá como le hace para
juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together) 2022
Installation view,
Sala de Arte Siqueiros, Cuernavaca, Photo: Felipe Mujica
Cortinas (Curtains) 2022
Installation view, Redaktion, Luzern, SwitzerlandCortinas (Curtains) 2022
Installation view, Redaktion, Luzern, SwitzerlandCortinas (Curtains) 2022
Installation view, Redaktion, Luzern, SwitzerlandFirst Sunrises on Earth (Solentiname) 2021
Installation view
Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis Corzo
First Sunrises on Earth (Solentiname) 2021
Installation view
Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis CorzoFirst Sunrises on Earth (Solentiname) 2021
Installation view
Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis CorzoFirst Sunrises on Earth (Solentiname) 2021
Installation view
Art Basel Miami, Proyectos Ultravioleta and Von Bartha. Photo: Luis CorzoThe Swaying Motion on the Bank of the River Falls 2021
Exhibition view
Perez Art Museum Miami, Miami
Photo: Oriol Tarridas
The Swaying Motion on the Bank of the River Falls 2021
Exhibition view
Perez Art Museum Miami, MiamiThe Swaying Motion on the Bank of the River Falls 2021
Exhibition view
Perez Art Museum Miami, MiamiThe Swaying Motion on the Bank of the River Falls 2021
Exhibition view
Perez Art Museum Miami, MiamiBig Storm 2021
Cotton fabric and thread
87 3/4 x 55 1/8 in
Photo by: Luis Corzo
Fire 2021
Cotton fabric and thread
88 3/16 x 56 in
Photo by: Luis CorzoLightning 2021
Cotton fabric and thread
89 x 56 in
Photo by: Luis CorzoPyramid 2021
Cotton fabric and thread
92 1/8 x 57 7/8 in
Photo by: Luis CorzoSteps 2021
Cotton fabric and thread
88 3/16 x 56 in
Photo by: Luis Corzo
First Sunrises on Earth 2021
Exhibition view
Proyectos Ultravioleta
Guatemala CityFirst Sunrises on Earth 2021
Exhibition view
Proyectos Ultravioleta
Guatemala CityFirst sunrises on earth (Dominican Republic) – Curtain 3 2016
Hand dyed cotton fabric and acrylic paint
64 x 42 inFirst Sunrises on Earth (Zacatecas) – Curtain 1) 2019
Denim fabric, thread and “chaquiras” (beads)
58.66 x 37 in
First sunrises on earth (Zacatecas) – Curtain 6 2019
Hand embroidery on cotton fabric
53.3 x 35.3 inSolentiname 2019
Exhibition view
Solentiname, Isla MancarrónSolentiname 2019
Exhibition view
Solentiname, Isla MancarrónSolentiname 2019
Exhibition view
Solentiname, Isla Mancarrón
First Sunrises on Earth (Solentiname) – Curtain 1 2019
Hand painted and hand-dyed
59 x 37 inFirst Sunrises on Earth (Solentiname) – Curtain 2 2019
Hand painted and hand-dyed cotton
59 x 37 inFirst Sunrises on Earth (Solentiname) – Curtain 4 2019
Hand painted and hand-dyed cotton
70.9 x 44.9 inFirst Sunrises on Earth (Solentiname) – Curtain 6 2019
Hand painted and hand-dyed cotton
70.9 x 44.9 in
Where Land and Sea Melt Into Sky 2019
Exhibition view
PROXYCO Gallery, New YorkWhere Land and Sea Melt Into Sky 2019
Exhibition view
PROXYCO Gallery, New YorkFirst Sunrises on Earth (Zacatecas) – Curtain 1 2019
Demin fabric, thread and “chaquiras” (beads)
58.6 x 37 inFirst Sunrises on Earth (Zacatecas) – Curtain 8 2019
Cotton fabric, thread and hand embroidered cotton
55.12 x 34.65 in
First Sunrises on Earth (Zacatecas) – Curtain 9 2019
Cotton fabric, thread and hand embroidered cotton
70.1 x 44.9 inFirst Sunrises on Earth 2019
Exhibition view
Sindicato, Las Terrenas / Sánchez, República DominicanaFirst Sunrises on Earth 2019
Exhibition view
Sindicato, Las Terrenas / Sánchez, República DominicanaFirst Sunrises on Earth (Dominican Republic) – Curtain 1 2019
Hand dyed cotton fabric and acrylic paint
96 x 61 in
First Sunrises on Earth (Dominican Republic) – Curtain 3 2019
Hand dyed cotton fabric and acrylic paint
64.9 x 42.1 in
First Sunrises on Earth (Dominican Republic) – Curtain 4 2019
Fabric, fabric tape and sewing thread
52 x 33 inAll Tomorrow´s Parties 2019
Exhibition view
Galerie Von Bartha, BaselAll Tomorrow´s Parties 2019
Exhibition view
Galerie Von Bartha, Basel
All Tomorrow´s Parties 2019
Exhibition view
Galerie Von Bartha, BaselAll Tomorrow´s Parties 2019
Exhibition view
Galerie Von Bartha, BaselAll Tomorrow´s Parties 2019
Exhibition view
Galerie Von Bartha, BaselEllos ya habían aprendido que todo lo que sueñan puede existir (They Had Already Learned That Everything They Dream of Can Exist) 2018
Exhibition view
XIII Bienal FEMSA, Zacatecas
Ellos ya habían aprendido que todo lo que sueñan puede existir (They Had Already Learned That Everything They Dream of Can Exist) 2018
Exhibition view
XIII Bienal FEMSA, ZacatecasEllos ya habían aprendido que todo lo que sueñan puede existir (They Had Already Learned That Everything They Dream of Can Exist) 2018
Exhibition view
XIII Bienal FEMSA, ZacatecasThey Had Already Learned That Everything They Dream of Can Exist – Curtain 1 2018
Denim fabric (cotton and polyester mix), sewing thread and “beads”
90 x 62 inThey Had Already Learned That Everything They Dream of Can Exist – Curtain 2 2018
100% natural wool fabric, sewing thread and hand embroidered cotton thread
87 x 61 in
We Are More United to the Invisible Than to the Visible 2018
Exhibition view
Museo de Arte Moderno de Medellín, Colombia
We Are More United to the Invisible Than to the Visible 2018
Exhibition view
Museo de Arte Moderno de Medellín, Colombia
We Are More United to the Invisible Than to the Visible 2018
Exhibition view
Museo de Arte Moderno de Medellín, Colombia
We Are More United to the Invisible Than to the Visible 2018
Exhibition view
Museo de Arte Moderno de Medellín, Colombia
Las universidades desconocidas – Design 22 B (The Unknown Universities – Design 22 B) 2016
Cotton fabric, thread and embroidered yarn 116.1 x 62.9 inLas universidades desconocidas – Design 39 (The Unknown Universities – Design 39) 2016
Cotton fabric and thread
116.1 x 62.9 inUna noche de verdad dentro de una noche de verano (A Real Night Inside a Summer Night) 2018
Exhibition view
Bis Oficina de Proyectos, CalíUna noche de verdad dentro de una noche de verano (A Real Night Inside a Summer Night) 2018
Exhibition view
Bis Oficina de Proyectos, Calí
Japanese Optical and Geometrical Art (p. 136) 2017 Silkscreen on inked paper
40.5 x 25.9 inA Real Night Within a Summer Night – Curtain # 7 2018
Cotton fabric, embroidery
68.8 x 45 inThe Yellow Road – Curtain 2 2018
Fabric, sewing and embroidery
47 x 31 inDedicated to the Bird We Love 2017
Exhibition view
Galerie von Bartha, S-chanf
Dedicated to the Bird We Love 2017
Exhibition view
Galerie von Bartha, BaselDedicated to the Bird We Love 2017
Exhibition view
Galerie von Bartha, BaselDedicated to the Bird We Love 2017
Exhibition view
Galerie von Bartha, BaselSombras Imaginarias 13 (Imaginary Shadows 13) 2017 Embroidered cotton
98 x 53 in
Sombras Imaginarias 17 (Imaginary Shadows 17) 2017 Embroidered cotton
100 x 52 inSombras imaginarias caminan por el camino imaginario (Imaginary Shadows Walk the Imaginary Path) 2017
Exhibition view
Casa Tríangulo,
Sao Paulo, Brazil
Photo: Edouard Fraipont
Sombras imaginarias caminan por el camino imaginario (Imaginary Shadows Walk the Imaginary Path) 2017
Exhibition view
Casa Tríangulo,
Sao Paulo, Brazil
Photo: Edouard Fraipont
Sombras imaginarias caminan por el camino imaginario (Imaginary Shadows Walk the Imaginary Path) 2017
Exhibition view
Casa Tríangulo,
Sao Paulo, Brazil
Photo: Edouard Fraipont
Sombras Imaginarias – Cortina 7 (Imaginary Shadows – Curtain 7) 2017
Embroidered cotton
100 x 53 in
Sombras Imaginarias – Cortina 9 (Imaginary Shadows – Curtain 9) 2017
Embroidered cotton
100 x 52.8 inHow to Speak Psychedelic 2017
Serigraphy on paper
39.9 x 25.9 inJapanese Optical and Geometrical Art (p. 110) 2017 Serigraphy on paper
39.9 x 25.9 in
Japanese Optical and Geometrical Art (p. 136) 2017
Silkscreen on paper
39.9 x 25.9 inJapanese Optical and Geometrical Art (p. 23) 2017 Serigraphy on paper
39.9 x 25.9 inSo We Faced With The Problems of Conversation (Google Translate) 2017
Exhibition view
Koulturøya, StavangerSo We Faced With The Problems of Conversation (Google Translate) 2017
Exhibition view
Koulturøya, Stavanger
So We Faced With The Problems of Conversation (Google Translate) – Curtain 1 2017 Fabric and thread
51 x 29 inSo We Faced With The Problems of Conversation (Google Translate) – Curtain 2 2017 Fabric and thread
51 x 29 inSo We Faced With The Problems of Conversation (Google Translate) – Curtain 4 2017 Fabric and thread 51 x 29 inZigzag Incisions 2017
Exhibition view
CuCRAC Alsace, Altkirch
Zigzag Incisions 2017
Exhibition view
CuCRAC Alsace, AltkirchThere Are Houses and Streets That Run Down to the Sea (Navy Blue) 2016 Fabric and thread
96 x 55.9 inThere Are Houses and Streets That Run Down to the Sea (Oxide Orange) 2016 Fabric and thread
96 x 55.9 inEmbodied Absence 2016
Exhibition view
Curated by Liz Munsell, Harvard University, Cambridge
Embodied Absence 2016
Exhibition view
Curated by Liz Munsell, Harvard University, Cambridge Curtain #1 (RED) 2016
5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 inCurtain #2 (YELLOW) 2016
5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread 110 x 59 inCurtain #3 (BLUE) 2016
5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread
110 x 59 in
Curtain #4 (BEIGE) 2016
5 Curtains of cotton fabric, sewing, hand-embroidered cotton thread
110 x 59 inLas universidades desconocidas (The Unknown Universities) 2016
Exhibition view
Incerteza Viva, 32ª Bienal São Paulo,São PauloLas universidades desconocidas (The Unknown Universities) 2016
Exhibition view
Incerteza Viva, 32ª Bienal São Paulo,São PauloLas universidades desconocidas – Diseño 19 B modificado (The Unknown Universities – 19 B Modified Design) 2016
Cotton fabric, thread and embroidered yarn
116.1 x 62.9 in
Las universidades desconocidas – Diseño 40 (The Unknown Universities – Design 40) 2016
Cotton fabric, thread and embroidered yarn
116.1 x 62.9 inLa Liberté Sans Nom (Freedom Without a Name) 2016
Exhibition view
Curated by Elfi Turpin, CRAC Alsace, AltkirchLa Liberté Sans Nom (Freedom Without a Name) 2016
Exhibition view
Curated by Elfi Turpin, CRAC Alsace, AltkirchHuecos #1 (Holes #1) 2016
Fabric and thread
52 x 27 in
Huecos #2 (Holes #2) 2016
Fabric and thread
52 x 27 inThe End of the East Coincides With the End of the South 2015
Exhibition view
Proyectos Ultravioleta
Guatemala CityThe End of the East Coincides With the End of the South 2015
Exhibition view
Proyectos Ultravioleta
Guatemala CityUntitled for Cuenca – Curtain 1 2014
Fabric and thread
110 x 58 in
Untitled for Cuenca – Curtain 3 2014
Fabric and thread
110 x 58 inIndigo 2015
Exhibition view
Concepción 41, Antigua GuatemalaIndigo 2015
Exhibition view
Concepción 41, Antigua GuatemalaIndigo #0 2015
Cotton fabric, sewing and hand embroidered cotton
51 x 29 in
Indigo #3 2015
Indigo dyed cotton fabric, stitching and hand embroidered cotton
51 x 29 inArriba como ramas que un mismo viento mueve (Up Like Branches That the Same Wind Moves) 2014
Exhibition view
Museo Experimental
El Eco, México CityArriba como ramas que un mismo viento mueve (Up Like Branches That the Same Wind Moves) 2014
Exhibition view
Museo Experimental
El Eco, México CityArriba como ramas que un mismo viento mueve – Cortina 1 (Up Like Branches That the Same Wind Moves – Curtain 1) 2014
Fabric and thread
112 x 59 in
Arriba como ramas que un mismo viento mueve – Cortina 4 y 5 (Up Like Branches That the Same Wind Moves – Curtain 4 and 5) 2014
Fabric and thread
112 x 59 in (each)Untiled for Cuenca 2014
Exhibition view
12th Bienal of Cuenca, CuencaUntiled for Cuenca 2014
Exhibition view
12th Bienal of Cuenca, CuencaUntitled for Cuenca – Curtain 4 2014
Fabric and thread
110 x 58 in
Untitled for Cuenca – Curtain 2 2014
Fabric and thread
110 x 58 inUntitled (El Quisco) 2013
Exhibition view
Fondazione Merz, TurinUntitled (El Quisco) 2014
Fabric and thread
4 panels of 47.2 x 78.7 in (each)Arquitectura y amistad (Architecture and Friendship) 2013
Exhibition view
Proyectos Ultravioleta, Guatemala City
Arquitectura y amistad (Architecture and Friendship) 2013
Exhibition view
Proyectos Ultravioleta, Guatemala CityUntitled 2013
Cotton fabric, canvas fabric and thread
106 x 60.6 inUntitled (Curtain 2) 2013
Thread and fabric
106 x 65.3 inOjos de perro azul (Blue Dog Eyes) 2012
Exhibition view
Galeria Nuno Centeno, Porto
Ojos de perro azul (Blue Dog Eyes) 2012
Exhibition view
Galeria Nuno Centeno, PortoBlue Dog Eyes – Curtain 1 2012
Cotton fabric and thread
94 x 59 inBlue Dog Eyes – Curtain 2 2012
Cotton fabric and thread
94 x 56 inExtrapolasis 1 and 2 2012
Silkscreen on paper
40 x 25 in
Un puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge) 2012
Exhibition view
Galeria Luisa Strina, São PauloUn puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge) 2012
Exhibition view
Galeria Luisa Strina, São PauloUn puente es un hombre cruzando un puente – Cortina 1 (A Bridge Is a Man Crossing a Bridge – Curtain 1) 2012
Fabric and thread
105.5 x 58.2 inUn puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge) 2012
Exhibition view
Galeria Luisa Strina, São Paulo
Un puente es un hombre cruzando un puente (A Bridge is a Man Crossing a Bridge) 2012
Exhibition view
Christinger de Mayo, ZürichUn puente es un hombre cruzando un puente – Cortina 1 (A Bridge Is a Man Crossing a Bridge – Curtain 1) 2012
Fabric and thread
105.5 x 58.2 inUn puente es un hombre cruzando un puente – Cortina 3 (A Bridge Is a Man Crossing a Bridge – Curtain 3) 2012
Fabric and thread
105.5 x 58.2 inCibernetica e Sociedade 2012 Dark Brown Over Red Stripes 2012
Silkscreen print on paper
unique copy
27.2 x 19.5 in
Whatcha See is Whatcha Get 2012
Exhibition view
443 PAS @ Kevin M. Absec Designs, New YorkUntitled 2012
Cotton fabric and thread
24 x 36 inUntitled 2012
Cotton fabic and thread
48 x 24 inNo State II 2012
Exhibition view
ARCO, Madrid
No State II- Curtain 1 2012
Cotton fabric and thread
110.3 x 59 inNo State II- Curtain 2 2012
Cotton fabric and thread
110.3 x 59 inY un día todo esto será tuyo (And One Day This Will All Be Yours) 2011
Exhibition view
Galería YONO, SantiagoY un día todo esto será tuyo (And One Day This Will All Be Yours) 2011
Exhibition view
Galería YONO, Santiago
Linea de hormigas – Chile (Line of Ants – Chile) 2011 Sculpture actionsUntitled 2010
Fabric and thread
96.4 x 59 inThere’s Light In Every Window 2010
Exhibition view
House of Propellers, LondonDouble Book Design 1 Brown on White 2010
Silkscreen on paper
34.6 x 22.8 in
Psychedelic Book Design #3 2010
Silkscreen print on paper
39.8 x 26 in
Kidnapping a Sculpture 2010
Exhibition view
Message Salon, ZürichKidnapping a Sculpture 2010
Exhibition view
Message Salon, ZürichKidnapping a Sculpture 2010
Custom-made wallpaper, 4 colors
Dimensions variable
Kidnapping a Sculpture 2010
Custom-made wallpaper, 4 colors
Dimensions variableThere’s Light In Every Window 2010
Exhibition view
Die Ecke Arte Contemporáneo, SantiagoThere’s Light In Every Window 2010
Exhibition view
Die Ecke Arte Contemporáneo, SantiagoTriptico óptico psicodelico (Psychedelic Optical Triptych) 2010 Silkscreen on paper
34.6 x 22.8 in (each)
Double Book Design 1 2010
Silkscreen on paper
39.7 x 25.9 inSunset From the Empire State Building Observatory 2008
Exhibition view
Sezession Wichtelgasse, ViennaModel 2 2008
Cotton fabric and thread
94 x 59 inEveryting that Begins as Comedy Inevitably Ends as Mystery 2008
Exhibition view
Message Salon Perla Mode, Zürich
Everyting that Begins as Comedy Inevitably Ends as Mystery 2008
Exhibition view
Message Salon Perla Mode, ZürichNo State 2008 Fabric and thread (4 panels)
Dimensions variableNo State 2008 Fabric and thread (4 panels)
Dimensions variableNo State – Curtain 1 2007
Fabric and thread
118 x 66 in
Group of Drawings 2007
Graphite and acrylic on paper
25 x 19 in (each)Trapped by Mutual Affection 2005
Exhibition view
Galerie Christian Nagel, KölnTrapped by Mutual Affection 2005
Exhibition view
Galerie Christian Nagel, KölnTrapped by Mutual Affection 2005
Three wooden panels painted with water-based paint Dimensions variable
Monochromatic Heart 1999
Exhibition view
Museo de Arte Contemporáneo de Valdivia, ValdiviaMonochromatic Heart 1999
Exhibition view
Museo de Arte Contemporáneo de Valdivia, ValdiviaMonochromatic Heart 1999
Wood, acrylic and hardware
Dimensions variableLonely Heart, Heart Lonely 1998
Exhibition view
Galeria Chilena en Galería Posada del Corregidor, Santiago
Lonely Heart, Heart Lonely 1998 Wood, acrylic and hinges Dimensions variableWhen a Dog Meets Another Dog 1997
Galerie Christian Nagel, KölnWhen a Dog Meets Another Dog 1997
Galerie Christian Nagel, KölnWhen a Dog Meets Another Dog 1997
Installation with trovicel modules
Dimensions variable
Circuits 1997
Exhibition view
Galeria Gabriela Mistral, SantiagoCircuits 1997
Exhibition view
Galeria Gabriela Mistral, SantiagoCircuits 1997
Exhibition view
Galeria Gabriela Mistral, Santiago
Felipe Mujica (Chile, 1974) lives and works in New York. He holds an Art degree from Universidad Católica de Chile. His work is influenced by the social and political movements of the 60’s and 70’s, and elements from graphic design and advertisement, that bring together the pictorial and popular culture. As a Latin American artist living in the United States, his discourse is influenced by his geographic displacement, since for him there is no center or real periphery. In 1997, Mujica co-founded (with Diego Fernández y José Luis Villablanca) the Galería Chilena GALCHI, and since 2009 he has worked in editorial design and production of artist publications, alongside Johanna Unzueta.
His individual and bi-personal exhibitions include ¿En qué estabas pensando, en el pasado o en el futuro? (What Were You Thinking About, the Past or the Future?), MAVI UC, Santiago de Chile (2022); Soltaré cien conejos y usted verá como le hace para juntarlos todos (I’ll Release a Hundred Rabbits and You’ll See How You’re Doing To Gather Them All Together), Sala de Arte Público Siqueiros, Cuernavaca (2022); The Swaying Motion on the Bank of the River Falls, Pérez art museum Miami, Miami (2021); All Tomorrow’s Parties, Von Bartha Gallery, Basel (2019); We Are Closer to the Invisible Than to the Visible , MAMM Medellín, Medellín (2018); Architecture and Friendship , with Johanna Unzueta, Proyectos Ultravioleta, Guatemala City (2013); Ojos de Perro Azul , Nuno Centeno Gallery, Porto, Portugal (2012); A Bridge is a Man Crossing a Bridge , Christinger De Mayo, Zürich, Switzerland (2011); and One Day This Will All Be Yours , Open Source Gallery, Brooklyn, New York (2011). He has participated in numerous group exhibitions in the United States, Chile, Sweden, Brazil, Austria, Guatemala, Mexico and Colombia, including Shout Fire , Roda Sten Konsthall, Gothenburg (2018); XIII Bienal FEMSA , Zacatecas (2017); Nameless Freedom , CRAC Alsace, Altkirch (2017); Incerteza Viva , 32 São Paulo Biennial, São Paulo (2016); and The End of the East Coincides With the End of the South , Proyectos Ultravioleta, Guatemala City (2015).
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Exhibitions by Felipe Mujica at Proyectos Ultravioleta: